Hermeneutics in music : Joseph Campbell and Vladimir Propp theories and their influence on the classical sonata form

Abstract

The purpose of this essay is to provide a systematic hermeneutic approach applied to tonal musical language and the morphological structures of it´s derivatives allowing to "reconnect" music with the socio-political situation of which it has always belonged, not in a receptive manner but also active, contributing to the feedback of a patriarchal ideological system existing for approximately the past four thousand years while, paradoxically offering strategies to deconstruct such ideology