La metáfora nupcial desde la mirada sinfónica de Hildegarda de Bingen

Abstract

The article intends to interpret Scivias and Symphonia, two works of the corpus of Hildegard of Bingen (theologian, mystical and visionary poet of the 12th century, who was proclaimed Doctor of the Church by Benedict XVI in October 2012), from the biblical hermeneutics developed by Paul Ricoeur around the bridal metaphor. The analysis of the texts manages to demonstrate that music is the distinctive element of the hildegardian thought and therefore their contribution to the reception of the biblical Book of the Song of Songs.