Theory and Practice of Kinetic Poetry in Composición de lugar (1976) by Amanda Berenguer

Authors

  • María Lucía Puppo Pontificia Universidad Católica Argentina ; Consejo Nacional de Investigaciones Científicas y Técnicas

Keywords:

Amanda Berenguer, Uruguayan Poetry Twentieth Century, Visual Poetry, Latin American Avant-gardes

Abstract

In this paper we analyze Composición de lugar (1976), the book that represents the most experimental phase of Amanda Berenguer’s poetry. We examine the text in the light of the notion of “kinetic poetry” as developed by the author and so, in this coincidence of theory and praxis we trace its links with the aesthetic searches of other avant-garde authors and groups. 

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Published

2019-04-15

How to Cite

Puppo, M. L. (2019). Theory and Practice of Kinetic Poetry in Composición de lugar (1976) by Amanda Berenguer. Letras, (69-70), 79–100. Retrieved from https://erevistas.uca.edu.ar/index.php/LET/article/view/1679